His nickname may refer to his dark skin or reddish hair. Présentant le même sujet et la même composition mais une gamme de couleurs moins vives, la toile londonienne serait une version nocturne de la scène, selon l’historien Carlo Falciani. Vénus , cupidon et le temps ( allégorie de la luxure ), 1540 de Agnolo Bronzino (1503-1572, Italy) | Reproductions D'art De Musée Agnolo Bronzino | ArtsDot.com Scholars do not know for certain what the painting depicts. With a removed, unemotional style, Bronzino excelled at capturing real-world subjects, but was less successful as a religious painter. Ses courbes gracieuses tracent, sur la diagonale du tableau, une ligne serpentine typique de ce courant esthétique apparu à la fin de la Renaissance qui, rejetant les canons antiques et la pensée classique, exaltait le mouvement, les arabesques et l’artificialité. Many of Bronzino's works are still in Florence but other examples can be found in the National Gallery, London, and elsewhere. Bronzino; History of painting; History painting; Mannerism; Monty Python's Flying Circus; Personification; The Nice and the Good; Venus, Cupid, Folly and Time; Western painting; User:Jane023/Paintings in the National Gallery; User:Souichirouumeda~enwiki; User talk:EtienneDolet/Archive 7; Wikipedia:Featured picture candidates/Angelo Bronzino Use in popular culture * Terry Gilliam from British comedy group Monty Python famously used Cupid's right foot from "Venus, Cupid, Folly and Time" for crushing down the titles on "Monty Python's Flying Circus ". Bronzino va nàixer a Florència.Segons el seu amic Giorgio Vasari, inicialment va ser deixeble de Raffaellino del Garbo, i després de Pontormo, qui va ser la principal influència en el seu estil i a qui sempre va reverir.Pontormo el va retratar quan encara era un xiquet en el quadre Josep a Egipte, actualment a la National Gallery de Londres. Voir plus d'idées sur le thème renaissance italienne, portraits, portrait. Bronzino | National Gallery of Canada Skip to main content It is close in style to the frescoes Bronzino painted in the Chapel of Eleonora of Toledo (the Duke’s wife) in the Palazzo Vecchio in around 1541–2. Il exécutera ensuite de nombreux cartons de tapisseries. Agnolo di Cosimo (Italian, 1503-1572), usually known as Bronzino ~ Venus, Cupid, Folly, and Time ~ ca.1544-1545 ~ National Gallery, London ~ This work was probably created at the Tuscan court of Duke Cosimo de' Medici for presentation to the King of France. Agnolo Bronzino - Eleonora of Toledo - Google Art Project.jpg 2,225 × 2,961; 2.53 MB. National Gallery, Londres. Bronzino worked at the court of Cosimo de’ Medici, he painted mainly portraits of the court figures, you can find some of them in the link at the bottom of this article. Agnolo Bronzino (1503-1572) Washington National Gallery of Art Original photo by courtesy of Helvetica_Von_Ampersand, color-modified by p.a. Best known for his Mannerist portraits, Agnolo Bronzino (usually known as Il Bronzino) served as court painter to Duke Cosimo I de’ Medici for most of his career, and influenced the course of European court painting. Large-scale exhibition of Florentine Mannerism opens at the Stadel Museum in Frankfurt - Alain.R.Truong. Eleonora of Toledo by Angolo Bronzino. Le peintre se trouve en haut à gauche de la foule, dans sa fresque "Martyre de Saint Laurent" (1569). Download image. Download low-resolution image. National Gallery, London: Venus, Cupid, Folly and Time (also called An Allegory of Venus and Cupid and A Triumph of Venus) is an allegorical painting of about 1545 by the Florentine painter Agnolo Bronzino. The National Gallery of Canada is home to the world’s most comprehensive collection of Canadian art. L’œuvre est le proche d’une autre Vierge à l’enfant de Bronzino, conservée à la National Gallery de Londres. Un autre portrait de Ugolino Martelli se trouve à la National Gallery of Art de Washington. Portrait d'Ugolino Martelli, huile sur panneau, 91,4 × 68 cm.National Gallery of Art. La National Gallery de Londres est le musée national d'art le plus important de Grande-Bretagne, situé à Trafalgar Square, dans le centre de Londres.Fondé en 1824 avec l'achat initial de 36 tableaux par le gouvernement britannique, ses collections se montent aujourd'hui à environ 2 300 peintures, datant du milieu du XIII e siècle à 1900, dont l'essentiel est visible par le public. Il a été attribué à Pontormo, et est maintenant donné à un peintre associé.. Références 1550 Portrait d'un artiste par Bronzino (1503-1572) National Gallery of Canada, Ottawa. Eleonora of Toledo, Agnolo Bronzino, 1543, From the collection of: National Gallery Prague. Agnolo di Cosimo, known as Bronzino was a Florentine painter. Agnolo bronzino, madonna col bambino e santi, 1540 ca. Bronzino was born in Florence, the son of a butcher.According to his contemporary Vasari, Bronzino was a pupil first of Raffaellino del Garbo, and then of Pontormo, to whom he was apprenticed at 14.Pontormo is thought to have introduced a portrait of Bronzino as a child (seated on a step) into one of his series on Joseph in Egypt now in the National Gallery, London. It is now in the National Gallery, London. Agnolo Bronzino, An Allegory with Venus and Cupid, ca 1545, National Gallery London. Download a low-resolution copy of this image for personal use. File:Angelo Bronzino - Venus, Cupid, Folly and Time - National Gallery, London.jpg Une page de Wikimedia Commons, la médiathèque libre. Élève de Pontormo, Bronzino (1503-1572) devient après 1539 le peintre officiel du duc de Toscane, tandis que ses portraits d'un raffinement glacé répandent sa réputation à travers l'Europe. Bronzino atteint ici des sommets de maniérisme, comme en témoigne le corps de cette Vénus impudique. Media in category "Paintings by Agnolo Bronzino in the National Gallery, London" The following 9 files are in this category, out of 9 total. Sauter à la navigation Sauter à la recherche Media in category "Portrait painting of Eleonora of Toledo by Bronzino 1543 in the National Gallery in Prague" The following 8 files are in this category, out of 8 total. Autoportrait de Bronzino. 29 janv. Allégorie du triomphe de Vénus Il Bronzino, Vénus, Cupidon et le Temps Il Bronzino, Vénus, Cupidon et le Temps. Conservé à Florence, Église San Lorenzo. Ce fichier est disponible selon les termes de la licence Creative Commons Attribution 3.0 (non transposée). Bronzino. Find out more. 1565 (attributed to Agnolo Bronzino) (1503-1572) Bukowskis Auktioner Stockholm . Eleonora di Toledo 1543 Agnolo Bronzino.jpg 1,000 × 1,254; 1,019 KB. Peinture Renaissance Renaissance Italienne Peinture Dessin La Fille En Rouge Musée Jacquemart Andr é Figurines Peintes Xvie Siècle Histoire De L'art Portrait Femme. Peinture de Bronzino (1540-1545). It was designed as a puzzle, and incorporates symbols and devices from the worlds of mythology and emblematic imagery. Angelo di Cosimo ou Agnolo di Cosimo dit le Bronzino ou Agnolo Bronzino (17 novembre 1503, Florence – 23 novembre 1572, Florence), ... (1543-1545) et l’Allégorie du triomphe de Vénus (à la National Gallery de Londres) dont Erwin Panofsky décryptera savamment le contenu. Agnolo di Cosimo, né en novembre 1503 et mort en novembre 1572, généralement connut sous le nom Il Bronzino ou Agnolo Bronzino, est un peintre italien maniériste de Florence. Portrait of Cosimo I de' Medici as Orpheus, Agnolo Bronzino (Agnolo di Cosimo di Mariano), Italian (active Florence), 1503 - 1572, c. 1537-1539, From the collection of: Philadelphia Museum of Art. License this image. 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